|  |  | Analogues of Reality: 
                Sight and Fantasy
 March 21 to April 26, 2003
 Opening reception: Friday, March 21, 2003, 6 to 8 pm
 
 
 Solomon Projects is pleased to present Analogues of Reality: 
                Sight and Fantasy, a series of photographs by acclaimed New 
                York artist, Leslie Wayne. This exhibition premieres Ms. Wayne's 
                first body of work in photography.
 
 In this exhibition, Wayne explores an innovative approach to viewing 
                her abstract paintings -- through the camera lens. She photographs 
                her small abstract paintings from an intriguing perspective (across 
                the surface of the painting,) creating a close-up examination 
                of the materiality and expressive qualities of paint. The photographs 
                are printed large (30 x 40 inches) thus allowing the viewer to 
                take a macroscopic look at the layers of detail and color on the 
                surfaces of Wayne's paintings. The results of this skewed perspective 
                are images that resemble otherworldly topographies. By taking 
                a look at her work in a new and unusual way, Wayne hopes the viewer 
                will, "question their associative response, thus opening the door 
                to fantasy."
 
 Leslie Wayne received her BFA from Parsons School of Design in 
                New York. Her paintings have been exhibited nationally and internationally 
                including solo exhibitions in New York, San Francisco, Germany 
                and Spain, as well as being featured in numerous group exhibitions 
                and catalogues. In 1995, her work was included in the 44th Biennial 
                Exhibition of Contempo ?rary American Painting: Painting Outside 
                Painting at the Corcoran Gallery of Art in Washington, DC, curated 
                by Terri Sultan. In that same year, Wayne's paintings were in 
                the exhibition Art at the Edge: Tampering-Artists and Abstraction 
                Today at the High Museum in Atlanta curated by Susan Krane. Her 
                paintings are in the permanent collections of Fondation Cartier, 
                Paris, France, Coleccion Thyssen-Bornemisza, Madrid, Spain, Corcoran 
                Gallery of Art, Washington, DC, and The Birmingham Museum of Art, 
                Birmingham, Alabama.
 
 
 
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