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            |  |  |  [ EDUCATION ] 
                 
                1983-1984 Rhode Island School of Design, Providence, RI 
                1982 BFA, Moore College of Art, Philadelphia, PA 
                
                 
                [ AWARDS & HONORS ] 
                 
                2009 
                The Arctic Circle - High Arctic expedition residency. The Arctic 
                Circle is administered by the Farm Foundation for the Arts and 
                Sciences.  
                New York State Council on the Arts (NYSCA) Film & Media / New 
                Tech Production grant through the Experimental Television Center 
                
                 
                2008 
                Experimental TV Center Finishing Funds award, supported by the 
                Electronic Media and Film Program at the New York State Council 
                on the Arts 
                 
                2007-09 
                Hermés of Paris: Equipment Donation
                 
                2006 
                Hermés of Paris: Production Funding
                 
                2004
                Anonymous Was a Woman  Award
                 
                2003 
                Residency, Wexner Center Media Arts Program, The Ohio State University, 
                Columbus, OH 
                Equipment donation, Panasonic (Finland)
                 
                2001 
                Equipment donation, Panasonic (USA) 
                Residency, Wexner Center Media Arts Program, The Ohio State University, 
                Columbus, OH
                 
                1997 
                Equipment donation, Panasonic (Finland)
                 
                1996 
                Equipment donation, Sony Electronic, Inc
                 
                1990 
                Project Grant, Art Matters Inc
                 
                1989 
                Fellowship, National Endowment for the Arts
                 
                1988 
                Project Grant, The Leo Model Foundation
                
                 
                [ SELECTED SOLO EXHIBITIONS ] 
                 
                  2010
 VantagePoint IX: Janet Biggs, Mint Museum of 
                    Art, Charlotte, NC. (Upcoming: November 2010).
No One Rides For Free, Conner Contemporary Art, 
                    Washington, DC.
Vanishing Point, McNay Art Museum, San Antonio, 
                    Texas.
 2009
 
"Vanishing Point," Claire Oliver Gallery, New 
                    York City; screened at the World Financial Center Winter Garden, 
                    2009 River to River Festival.
"Anana Dream," Perth Institute of Contemporary 
                    Arts-Screen Space, Austrailia
 2008
 
"Tracking Up," Solomon Projects, Atlanta, GA
 2007
 
"Enemy of the Good," multi-media performance, 
                    photo Miami, Miami
"Like Tears in Rain," Gibbes Museum, Charleston, 
                    SC
 2006
 
"Hit Me with Your Rhythm Stick," multi-media 
                    performance, Flow Art Fair, Miami, FL
"Like Tears in Rain," Claire Oliver Gallery, 
                    New York, NY
"Behind the Vertical," Hermes, New York Flagship 
                    Store. Site-specific installation, NY
"Dance Theatre Workshop," New York, NY (part 
                    of Captured, curated by Maya Ciarrocchi)
 2005
 
"Rules of Engagement," multi-media performance, 
                    New York, NY (In collaboration with choreographer JoAnna Mendl 
                    Shaw)
 2004
 
"One-on-One," Contemporary Art Galleries: Storrs, 
                    University of Connecticut, Storrs, CT
"Janet Biggs: Norms and Forms," Paley and Levy 
                    Galleries, Moore College of Art and Design, Philadelphia, 
                    PA
Rhode Island School of Design Museum, Providence, 
                    RI
"New Video," Solomon Projects, Atlanta, GA 
 2002
 
"Risperidone," Herbert F. Johnson Museum, Cornell 
                    University, Ithaca, NY 
 2001
 
Team Gallery, New York, NY
"Verge," Plains Art Museum, Fargo, ND (catalogue)
"Flight and Buspar," Western Washington University, 
                    Bellingham, WA
 2000
 
"Flight," The Contemporary Arts Center, Cininnati, 
                    OH
"BuSpar," Solomon Projects, Atlanta, GA
 1999
 
"Flight," Exra and Cecile Zikha Gallery, Wesleyan 
                    University, Middletown, CT
"Up Downs," John Michael Kohler Arts Center, 
                    Sheboygan, WI (catalogue)
 1998
 
"Water Training," Everson Museum of Art, Syracuse, 
                    NY
"Competition Training: Water Training," Park 
                    4-D TV, Amsterdam, Holland
 1997
 
"Water Training," Solomon Projects, Atlanta, 
                    GA
"Water Training," Anna Kustera Gallery, New York, 
                    NY
 1996
 
"Girls and Horses," Chassie Post Gallery, New 
                    York, NY. 
 1989
 
Outdoor Installation, York College, City University 
                    of New York, Jamaica, NY. 
                 
                [ SELECTED GROUP EXHIBITIONS ] 
                 
                  2009
 Miami International Film Festival, included in 
                    "Cutting the Edge" category, Miami, FL
Experimental Video and Synchcroswim, presented 
                    by The Rubell Family Collection + Conner Contemporary Art, 
                    Washington, DC
"Chimera," curated by Chris bors and Ketta loannidou 
                    (Triton Gallery), Envoy Enterprises in N.Y., and Arcade Experimental 
                    Art Projects/Stoa Aeschylou in Nicosia, Cyprus.
 2008
 
"Hollywould," Freewaves 11th Festival of Experimental 
                    Media Arts, Los Angeles, CA
"Young Identities" (part of European Media Art 
                    Festival). Kunsthalle Dominikanerkirche, Osnabrueck, Germany
"Water" Carroll Square Gallery, Washington, DC
"Video Screenings," Sara Meltzer Gallery, New 
                    York City. Curated by Laura Parnes
"Stone Canoe No. 2" Delavan Art Gallery, Syracuse 
                    University, Syracuse, New York
 2007
 
"Keeping Up With the Jones," Schroeder Romero 
                    Gallery, New York City
"Infinitu et Contini: Repeated Histories, Reinvented 
                    Resistances," Smack Mellon, Brooklyn, NY
"Lumen Eclipse," outdoor video installation, 
                    Cambridge Square, Boston
"Stop. Look. Listen: An Exhibition of Video Works," 
                    Herbert F. Johnson Museum of Art, Cornell University, Ithaca, 
                    NY
"Antennae," Houston Center For Photography, Houston, 
                    TX
"What F Word?," Cynthia Broan Gallery, New York 
                    City; Curated by Carol Cole Levin
 2006
 
"Helios Oceanus," Curated by Lee Wells for M21—The 
                    Museum of 21st Century Art and The Scope Foundation, Gansevoort 
                    South, Miami Beach, FL
Claire Oliver Gallery, New York, NY
"Video Box," Weisspollack Gallery, New York, 
                    NY
 2005
 
"METU Video Festival," Middle Eastern Technical 
                    University, Ankara, Turkey
"Fathom," The Hatton Gallery, University of Newcastle 
                    upon Tyne, England
"Tomorrow Was the Day Before," Scope London, 
                    Curated by Lee Wells
"Artists Pick," Exhibition at Larissa Goldston 
                    Gallery, New York, NY
 2004
 
"Dwellan - Lingering Images," Charlottenborg 
                    Exhibition Hall, Copenhagen, Denmark Video X, Momenta Art, 
                    Brooklyn, NY
"PG-13: Male Adolescent Identity in Video Culture" 
                    (two person exhibition with Barbara Pollock), Ernest G. Welch 
                    School of Art & Design, Georgia State University, Atlanta, 
                    GA ; Diverse Works, Houston, TX (catalogue)
 2003
 
"Home Grown," Linkopings Konsthall, Passagen, 
                    Sweden
"Venden Varassa (Dominated by Water)," Vantaa 
                    Art Musuem, Finland
 2002
 
"New York, New Work, Now!," Currier Gallery of 
                    Art , Manchester, NH
"Aquaria (On the Interaction of Water and Human 
                    Being)," curated by Barbara Wally, Landesgalerie am Oberosterreichischen 
                    Landesmuseum, Linz, Austria; Kunstsammlungen, Chemnitz, Germany
"H2O," curated by Jo Anna Isaak, Elaine L. Jacob 
                    Gallery, Western Gallery, Western Washington University, Bellingham, 
                    WA; Wayne State University, Detroit, MI; Houghton House Gallery, 
                    Hobart and William Smith Colleges, Geneva, NY; Danese Gallery, 
                    New York, NY
"Residuum," Cheryl Pelavin Fine Art, New York, 
                    NY
"Arrested Development: Contemporary Contemplations 
                    on Adolesence and Youth," Castle Gallery, The Collage of New 
                    Rochelle, New Rochelle, NY
"Serious Fun," Castle Gallery, The College of 
                    New Rochelle
 2001
 
"Objects in the Mirror are Closer than they Appear," 
                    Team Gallery, New York, NY
"Horse Tales: Two Centuries of American Cultural 
                    Icons," Katonah Museum of Art, Katonah, NY (forthcoming)
 2000
 
"Objects that Flicker," Solomon Projects, Atlanta, 
                    GA
"human/nature," curated by Jane Harris, Caren 
                    Golden Fine Art, NY 
"Horse Show," Site Gallery, Sheffield, England
"Six Signals," Cheekwood Art Museum, Nashville, 
                    TN
"Here Kitty, Kitty," Nexus Contemporary Art Center, 
                    Atlanta, GA
"Object Lessons: selections from the Robert J. 
                    Shiffler Foundation," curated by Annegreth Nill, Columbus 
                    Museum of Art, Columbus, OH
 1999
 
"The Comforts of Home," Hand Workshop Art Center, 
                    Richmond, VA
"Trace," Flipside Gallery, Brooklyn, NY
"BuSpar," (project room installation, part of 
                    Horse Play), Real Art Ways, Hartford, CT
"Zingmagazine," Video Project, Basel Art Fair, 
                    Basel, Switzerland
 1998
 
Flip Side Gallery, curated by Nurit Newman, Brooklyn, 
                    NY
"Installation 7: Conceptual Art, 1989-1995," 
                    curated by Barry Rosenberg, Cheekwood Museum of Art, Nashville, 
                    TN
 1997
 
"Girls and Horses" (project room installation, 
                    part of Family/PostFamily, m.a.p.: media art project 1997), 
                    Vantaa City Museum, Finland (catalog)
"Presumed Innocence," Anderson Gallery, Virginia 
                    Commonwealth University, Richmond, VA. Curated by Jean Crutchfield. 
                    
"The Gaze," Momenta Art, Brooklyn NY
 1996
 
"Embedded Metaphor," Independent Curators Incorporated, 
                    New York, NY. Curated by Nina Felshin. (Travelling through 
                    1998). 
"Kickstart," Anna Kustera Gallery, New York, 
                    NY
"Romper Room," Thread Waxing Space, New York, 
                    NY
"Separating Self: Art About Identity from the 
                    Robert J. Shiffler Collection." New Harmony Gallery of Contemporary 
                    Art, New Harmony, IN.
New Harmony Gallery of Contemporary Art, New 
                    Harmony, IN
"Incestuous," Thread Waxing Space, New York, 
                    NY. Curated by Carter Kustera. 
"B.A.B.Y., " Virginia Beach Center for the Arts, 
                    Virginia Beach, VA.
"Home Bodies," LaSalle Partners at Nations Bank 
                    Plaza, Charlotte, NC. Organized by Joyce Pomeroy Schwartz. 
                    
"Subversive Domesticity," Edward A. Ulrich Museum 
                    of Art. Wichita State University, KS. Curated by Dana Self. 
                    
"This End Up: Selections from the Collection 
                    of Robert J. Shiffler," University of Wyoming, WY. (Travels 
                    to South Dakota Art Museum, Brookings, SD).
 1995
 
"Installation," Islip Art Museum, Islip, NY.
Galleria Civica di Padova, Italy. Curated by 
                    Teresa Macri and Francesca Alfano Miglietti.
 "Wary Still," Highways Exhibition Space, Santa 
                    Monica, CA. 
 1994
 
"Night Light Room (Project room installation, 
                    part of Family Ties show)," P.P.O.W. Gallery, New York, NY. 
                    
"Riddle of the Sphinx," Islip Art Museum, Islip, 
                    NY. 
"Forms of Address," San Francisco Art Institute, 
                    San Francisco, CA.
"Some Like It Hot," Jack Shainman Gallery, New 
                    York, NY. 
"Janet Biggs, Dan Devine, Katie Merz," Ty Ming 
                    Moy Gallery, New York City. 
"Regional Identity and Cartography Representation," 
                    Pigorini, Rome, Italy. Curated by Teresa Macri and Lucilla 
                    Meloni. 
"Caught Between Mind (Urge) and Body," AIR Gallery, 
                    New York, NY. 
 1993
 
Josh Baer Gallery, New York, NY. 
                  The Rag Trade, The InterArt Center, New York, 
                    NY. Organized by Saul Ostrow. 
"Giochi nell'acqua," Rome, Italy. Organized by 
                    Teresa Macri and Myriam Laplante.
"The Exquisite Corpse," The Drawing Center, New 
                    York, NY. 
"Beau Dommage," Jack Shainman Gallery, New York, 
                    NY. 
"Fall From Fashion," Aldrich Museum of Contemporary 
                    Art, Ridgefield, CT. 
"From the Collection of Robert J. Shiffler," 
                    Cincinnati Contemporary Art Center, Cincinnati, OH.
"I Am the Enunciator," Thread Waxing Space, New 
                    York, NY. Curated by Christian Leigh. 
"Peter Pan," Dooley Le Cappellaine Gallery, New 
                    York, NY. 
"Dolls in Art: A Metaphor of Personal Identity," 
                    Patrick and Beatrice Haggerty Museum of Art, Milwaukee, WI 
                    
 1992
 
Josh Baer Gallery, New York, NY. 
"Painting," Procter Art Center, Bard College, 
                    Annandale-on-Hudson, NY. Curated by Steven Salzman. 
Kunsthall New York City. Curated by Christian 
                    Leigh. 
White Columns Gallery, New York, NY.
"Water Bar," Jack Tilton Gallery, New York, NY. 
                    Organized by Erik Oppenheim. 
 Benefit Show, Sculpture Center, New York, NY. 
                    Curated by Muranushi-Lederman. 
 1991
 
"Shared Skin: Sub-Social Identifiers," Dooley 
                    Le Cappellaine Gallery, New York, NY. Organized by Janet Biggs. 
                    Catalog.
"Value Show," Dooley Le Cappellaine Gallery, 
                    New York, NY. Organized by Dooley Le Cappellaine, Muranushi-Lederman, 
                    Kathleen Cullen, Robert Mahoney. 
John Post Lee Gallery, New York, NY. 
Berland Hall Gallery, New York, NY. 
Four Walls, Brooklyn, New York. 
 1990
 
"Membership Has Its Privileges," Lang & O'Hara 
                    Gallery, New York, NY.
Levy Gallery, Moore College of Art, Philadelphia, 
                    PA. 
Nexus Gallery, Philadelphia, PA.
 1989
 
Zoller Gallery, Penn State University, University 
                    Park, PA. 
"Second Thought," Momenta Gallery, Philadelphia. 
                    Organized by Janet Biggs. Catalog. 
 1988
 
"Altered Sites (Outdoor Sculpture)." Fairmount 
                    Park, Philadelphia, PA. Catalog. 
15 Artists. Nexus Gallery, Philadelphia. Curated 
                    by Marsha Tucker. 
10 Year Challenge Anniversary, Fleisher Art Memorial, 
                    Philadephia, PA. 
 1987
 
"Made in Philadelphia 7," Institute of Contemporary 
                    Art, Philadelphia, PA. Catalog. 
 
                [ SELECTED BIBLIOGRAPHY ]
                 
                  2009Finch, Charlie: Groundhog's Diary. Artnet, 13 February 
                  2009.
 Conner, Jill: Janet Biggs at Claire Oliver Fine Art (Review 
                  of Vanishing Point). Art Quips, 9 January 2009.
 "Janet Biggs." Review of Vanishing Point. New Yorker, 
                  22 February 2009.
 This Week in New York, 21 January 2009.
 
 2008
 Fester, Felicia: Review of Tracking Up at Nancy Solomon Gallery. 
                  Art Papers, July/August 2008.
 Greer, Larissa Erin: "On the Right Track: Video artist Janet 
                  Biggs gaining wider exposure." The Sunday Paper, July 
                  13-19, 2008.
 Kurzner, Lisa: "Videos explore adolescents' accomplishments." 
                  Atlanta Journal-Constitution, 6 June 2008.
 Review of Airs Above the Ground at the European Media Arts Festival. 
                  Regioartline Kunstamagazin, 4 May 2008.
 Review of Airs Above the Ground at the European Media Arts Festival. 
                  mosquto, April 2008.
 Review of Airs Above the Ground at the European Media Arts Festival. 
                  Hannoversche Allgemeine Zeitung, 23 April 2008.
 Review of Airs Above the Ground at the European Media Arts Festival. 
                  Kunst Raum Münster, April-June 2008.
 Review of Airs Above the Ground at the European Media Arts Festival. 
                  kunst:stück, April 2008.
 Kasper, Chris: "Infinitu et Contini: Repeated Histories, Reinvented 
                  Resistances." Art Papers, March/April 2008.
 Diack, Heather: "Sign Language as Politics." Afterimage, 
                  Vol. 35, No. 5., March/April 2008.
 "Medienkunstfestivalim Zeichen der Jugend." Mindener Tageblatt, 
                  28 April 2008.
 
 2007
 Jenks, Debra: "Pulp Friction - Artists explore the underside 
                  of American culture." Chelsea Now, 14 December 2007.
 "Keeping up with the Jones." Review of show at Schroeder Romero 
                  gallery, The New Yorker, 24 December, 2007.
 Maschal, Richard: "Newly Minted: Private collectors lend their 
                  modern treasures as Mint museum starts a quest for living artists." 
                  Charlotte Observer, 19 October 2007.
 "Sport and Spectacle," Artkrush online magazine. 8 August 
                  2007.
 Pool, Olivia: "First in State. Gibbes acquires first S.C. video 
                  art installation." The Post and Courier, 26 July 2007.
 Ashley, Dottie: "Like Tears in Rain. Citadel's Summerall Guards 
                  part of first video exhibit at Gibbes." The Post and Courier, 
                  22 July, 2007.
 Ludwin, Torie: Review of Antennae. artshouston magazine, June 
                  2007.
 Smith, Nick: "Future Noir: Janet Biggs mixed documentary shots 
                  for art's sake at the Gibbes." Charleston City Paper, 02 May 
                  2007.
 Yale, Madeline: Antennae (review of group show at Houston Center 
                  for Photography). Spot Magazine, Summer 2007.
 Byrd, Cathy: "Janet Biggs." Contemporary, March, 2007.
 Perez, Magdalen: Review of show at Claire Oliver Gallery. ARTNews, 
                  February
 
 2006
 Li, Zhen: "Equestrians in Show Windows." Vision Magazine, 
                  Beijing, China, October
 Matsumae, Ayano: "Janet Biggs" (review of Like Tears in Rain, 
                  Claire Oliver Gallery, New York). Nile Magazine (Japan). 
                  December
 "Janet Biggs." Review of show at Claire Oliver Gallery. The 
                  New Yorker, December 4
 Matsumae, Ayano: "Janet Biggs" (review of Behind the Vertical 
                  at Hermès, New York ). Nile Magazine (Japan). 
                  November
 Carr, Amanda: "Artist's Windows at Hermès, New York." 
                  Visual Merchandising, September 29
 Perez, Magdalen, "Nearby Explosion Adds Extra Drama to Video 
                  Installation at Hermès," Artinfo, August 11
 Pollack, Barbara. "Horseplay." ArtNews
 
 2005
 Dunning, Jennifer: "A Horse and Dancers in an Ode to Interspecies 
                  Ties." New York Times, October 10 Lille, Dawn: "Rules 
                  of Engagement: Dancers and a Horse." Art Times, December
 Marshall, Lea: Rules of Engagement review. Dance Magazine, 
                  November
 Tobias, Tobi: "Rules of Engagement." New York Village Voice, 
                  November 1
 Anderson, Jack: Rules of Engagement review. New York Times, 
                  October 14
 Pollock, Barbara: "Moonlight Sonata." ARTNews, September
 Gavin, Francesca: "Drowning in Newcastle." BBC online, 
                  July 21
 Jones, Sarah: review of Fathom. Metro (Newcastle, UK), 
                  July 8
 Whetstone, David: "Sound Creation for World of the Deep," The 
                  Journal (Newcastle, UK), July 2
 Duff, Helen: Fathom review. Metro (Newcastle, UK), June 
                  30
 
 2004
 Pohl, Eva: Videopoesi på hojt niveau." Berlingske 
                  (Copenhagen), November 11
 Hornung, Peter Michael: "N‘r billedet dvÚler." Politiken 
                  (Copenhagen), November 9
 Tommelleo, Donna: "Former UConn Players' Drills Become a Work 
                  of Art," New York Newsday, November 27; Boston Globe, 
                  November 27; San Francisco Chronicle, November 27; Sports 
                  Illustrated, November 27; Stanford Advocate, November 
                  27; Ms. Magazine Online, November 27
 Sozanski, Edward J.: "Bodies in Motion." Philadelphia Inquirer, 
                  December
 Streitfeld, L.P., "The Power Of UConn's Women On Display." Hartford 
                  Courant, December
 Faingold, Scott. "Teenage Wasteland- Two artists ask how boys 
                  become men in a videocracy," Houston Press, March 11
 
 2003
 Pollack, Barbara: "H20." Time Out New York, August 7-14
 Hirsch, Faye. "Janet Biggs at Herbert F. Johnson Museum of Art," 
                  Art in America, July, p.99
 Sohl, Lena. "USA underytan (USA Under the Surface)," Stockholm 
                  Aftonbladet
 Ulmonen, Anu. "Syväsukellus mieleen ja ruumiiseen" (Deep 
                  Dive Into Mind and Body). Helsinki Sanomat, January 18
 Ripatti-Torniainen, Leena. "Janet Biggs in uimari liikkuu kuin 
                  unessa" (Janet Biggs' swimmer moves as if in a dream). Vantaan 
                  Sanomat, January 19
 Höll, Von Andreas. "Aquaria - Über die auþergewöhnliche 
                  Beziehung von Wasser und Mensch." Deutschland Radio Berlin, 
                  5 May 2002
 
 2002
 Lombardi, D. Dominick. "Review of "Arrested Development: Contemporary 
                  Contemplations on Adolescence and Youth," Castle Gallery, the 
                  College of New Rochelle. New York Times, March 3, 2002
 
 2001
 Dimling-Cochran, Rebecca. "Objects That Flicker: Artists' Video 
                  for the Home," Sculpture, June, Vol. 20, No. 5, pgs. 
                  66 - 67
 2000
 Byrd, Cathy. "Janet Biggs, Solomon Projects," Sculpture, 
                  June, Vol. 19, No.5, p. 70-71
 Byrd, Cathy. "Horse of a Different Color," Creative Loafing, 
                  February 5, Vol. 28, No. 38, p. 37
 Feaster, Felicia. "Whipped," Creative Loafing, January 
                  29, Vol. 28, No. 37, p. 37-38
 Cullum, Jerry. "Emotional Equestrianism," The Atlanta Journal-Constitution, 
                  January 21, p. Q8
 
 1999
 Pollack, Barbara. "The Mane Event," ARTNews, November, 
                  Vol. 98, No. 10
 Damsker, Matthew. "Horsing Around at Real Art Ways," Hartford 
                  Courant, Saturday, October 2
 
 1998
 Auslander, Philip. "Janet Biggs: Water Training," Art Papers, 
                  March/ April
 Mahoney, Robert. "Janet Biggs at Chassie Post," Artnet Magazine
 
 1997
 Forrest, Jason A. "Learning to Ask Questions," The Atlanta 
                  Journal-Constitution, October 24
 Byrd, Cathy. "Spare Changes," Creative Loafing, October 11, 
                  1997
 "Girls and Horses, A project by Janet Biggs," zingmagazine, 
                  Autumn/Winter
 
 1996
 Schwendener, Martha. "Girls and Horses," Art Papers, 
                  May/June.
 Hess, Elizabeth. "It Takes a Village," Village Voice, 
                  March 26.
 Halle, Howard. "Girls and Horses," Time Out New York, 
                  March 20.
 Levin, Kim. "Girls and Horses," Village Voice, April 
                  9.
 Shannon, Angela. "Exhibit Explores Right of Passage." Charlotte 
                  Observer, Sunday, March 31.
 
 1994
 Tanner, Marsha. Review of show at San Francisco Art Institute. 
                  Art Issues, November.
 DiGenova, Arianna. "Figure Erranti Oltre la Mappa del Identital 
                  Correnti." nmanifesto(Rome, Italy), June 15.
 Rossi,Leena-Maija. "LappsuudenIoppu." HelsinginSanomat, Lauantaina 
                  29, Tammikuuta.
 Heartney, Eleanor. "Elizabeth Berdann and Janet Biggs at Josh 
                  Baer." Art in America, May.
 Hartcollis, Anemona. "A Body of Work." New York Newsday. 
                  February 15.
 Nublar, Isla. "Ragazze Terribili." Virus (Milan, Italy). 
                  January.
 
 1993
 Calpini, Chiara. Review of Giochi Nell'Acqua. Next (Rome, 
                  Italy), Winter.
 Flash Art News, Roma, "Giochi Nell' Acqua," Flash Art, 
                  October.
 Levin, Kim. "Voices Choices," Review of show at Josh Baer Gallery. 
                  Village Voice, December 28.
 DiCenova, Arianna. Review of Giochi Nell Acqua. Titolo. (Perugia, 
                  Italy), August.
 Merkling,Frank. "Unstylish In 'Fashion' at Aldridge." New 
                  York Times, Sunday June 13.
 Raynor, Vivien. "What do Clothes Mean to the Artist Anyway?" 
                  New York Times, Sunday, June 13.
 
                [ SELECTED PUBLIC COLLECTIONS ]
                 
                The Herbert F. Johnson Museum, Cornell University, Ithaca, NY 
                The Robert J. Schiffler Collection and Foundation, Dayton, OH 
                Philadelphia Electric Company, Philadelphia, PA  |    |